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Casavant Organ
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Casavant Organ

 

 

The Asbury Casavant

We would do well to reflect on the significance of a moment that continues a remarkable influence on our corporate worship to this day as it will for many generations to follow. The installation of one of the most prominent instruments on the Eastern Shore, The Asbury Casavant Organ, Opus 2720; installed in 1962, standing three stories tall, 74 ranks, 3,160 pipes, valued in the year 2002 at almost one million dollars.



 

 

 

 

 

 

 

 

 



Opus 2720
74 Ranks, 4 Manuals
Installed September 1962
Contracted August 10, 1961
Refurbished Summer 2009

Click above to enter the restoration pages

The installation of this instrument was and continues to be something akin to a person getting a heart transplant. After all, the organ provides the heart­beat of our worship experience. It renews vitality, pumping energy into the gathered Body of Christ as a result of its power. Under the skilled hands of Asbury musicians, the organ consecrates time and space, beckoning us from the business of life to focus on the task of faith.
The driving bass shake us out of our apathy and preoccupation with self like a great earthquake.

The sounds driven from the myriad ranks of pipes call us to worship God. The strains of high notes waft down from the sanctuary ceiling like manna from heaven. The driving bass notes shake us out of our apathy and preoccupation with self like a great earthquake. The hymns that we sing together are more powerful in the proclamation of God’s word.

As far back as 1955, when it was decided that Asbury Church should move from downtown Salisbury to the southern suburbs, the Music Committee and Mr. Josef Privette, Minister of Music, were planning and collaberating with the preeminent organ builder from St. Hyacinthe, Quebec, Canada, Casavant Freres, Limitee, (Casavant Brothers) to build a pipe organ for the new structure on the 12-acre campus just south of Salisbury University.

The new organ was an instrument of 55 ranks, 2884 pipes, designed and voiced in the "North German" style. Three of the five divisions are exposed, or unenclosed. The room seats 550 with a 4-5 second reverberation. The chancel is designed in the English Cathedral style, divided chancel, with the console placed within the choir stalls on the pulpit side, in a conducting position, slightly lowered.

The total price of the organ in 1962 was $45,000.00. No changes were made to the organ for several years. During the tenure of Mr. Homer Jackson as organist and choirmaster, the Erzahler Celeste and 32' Unersatz were added by Casavant. The chimes were added in March 1973, given by Dr. Justin Wood, a fine singer and long time choir member, in loving memory of his wife.

In 1980, during the tenure of Taylor Harvey, Director of Music, extensive repair was done to the organ due to the furnace exploding into the organ and sanctuary through the blower, rendering it unuseable for about six months. It was at this time that the main blower was moved from the basement into the organ chambers in the choir loft. During the same period the Solo Trumpet stops were added in the Swell Division by Trivo Pipe Makers in Hagerstown, Maryland. This is a unit rank (85 pipes) being offered at 16', 8', and 4' pitch on the Solo Division, with the 16' being duplicated as the Bombarde in the Pedal Division. In February 1985, the 73 pipe Vox Humana stop was added and in May of 1985 a contract was signed with Moller Organ Builders in Hagerstown, Maryland to build a four manual console to include an electrically adjustable bench, digital clock, 4 levels of digital combination action memory, and 20 additional couplers. This work was done in honor of Winnie & George Kitzmiller, life-long supporters and members of the Chancel Choir. In April 1997 Bob Walker was contracted to install twelve ranks and a harp to the instrument. An 8' Flute Celeste was installed in the Swell Division, playable on the Positive. Two 32' stops and the 16' Basson were added to the Pedal Division. In the Swell Division a 3-rank reed chorus was installed (16' Basson, 8' Trumpet, 4' Clarion), and a 4' Principal; and, the Solo Division was started with an 8" Flauto Mirabilis, Gamba & Celeste, and the 8' English Horn. These additions helped tremendously in shifting the Baroque Design of the instrument towards that of a more Romantic Organ better capable of accompanying choirs and soloists, leading service music in worship, as well as performing music in the styles of the English and French.

The Asbury Casavant is now 48 years of age, in great need of repair to major systems at a cost of about $485,000.00. After assessing the situation thoroughly, the Trustees have contracted Casavant Freres and David Storey Organ Company to refurbish the instrument, and established a fund drive in our effort towards raising the necessary monies. The organ is presently in the shop of Casavant and David Storey being refurbished. The work began in April 2009, and is scheduled to be completed the end of November 2009. Further information on this project is available on line by clicking on the button at the top of this page entitled, "Casavant Organ to Undergo Restoration."

Here are some interesting facts about the Casavant:

  • The organ cost about $45,000.00 in 1962.
  • The organ was appraised in 2002 for almost $1,000,000.00.
  • The new console cost $61,000.00.
  • The organ ranks in size with the larger instruments in Baltimore, Washington, and New York.
  • The console alone weighs over 2,000 pounds.
  • There are over 30 miles of wiring in the organ.
  • The organ contains 3,160 pipes.
  • The pipes vary in height from about 2-3 inches to 16 feet high.
  • The entire organ is three stories high.

Specifications of the Asbury Casavant:

Great:
16’ Bourdon
8’ Principal
8’ Flute Harmonique
8’ Chimney Flute
8’ Salicional
4’ Octave
4’ Spire Flute
2 2/3 Twelfth
2’ Fifteenth
1 3/5 Seventeenth
IV Mixture
8’ Trumpet
Great Off
Harp
Positive:
8’ Bourdon
4’ Octave
4’ Spindle Flute
2 2/3 Nazard
2’ Recorder
1 3/5 Tierce
1 1/3 Larigot
IV Cymbal
8’ Cromorne
Positiv Off
Positiv 16'
Tremulant

16' Erzahler Celeste
8' Erzahler Celeste
8’ Flute Dolce
4' Erzahler Celeste
Swell:
16' Violone
8’ Principal
8’ Stopped Flute
8’ Viola
8’ Viola Celeste
8' Erzhaler
8’ Erzhaler Celeste
4’ Octave
4’ Open Flute
2’ Super Octave
III Grave Mixture
III Sharp Mixture
16' Contra Trumpet
16’ Basson
8’ Trumpet
8’ Oboe
8’ Vox Humana
4' Clarion
Swell 16'
Swell Off
Swell 4'
Tremulant
Solo:
8’ Flute Harmonique
8’ Salicional
8' Salicional Celeste
8’ English Horn
8' Clarinet
8’ Oboe (Sw)
Tremulant
Solo 16'
Solo Off
Solo 4'

Bombarde:
16’ Bombarde
8’ Trumpet
4’ Clarion
Pedal:
32’ Contra Bass
32’ Contra Violone
32’ Contra Bourdon
16’ Open Wood
16’ Principal
16’ Subbass
16' Bourdon (Gt)
16’ Violone (Sw)
8' Octave
8’ Bass Flute
4' Choral Bass
4’ Spire Flute
2’ Open Flute
IV Mixture
32’ Contra Bombarde
32' Contra Basson (Sw)
16' Trombone
16’ Bombarde (Solo)
16’ Basson (Sw)
8’ Trumpet
4' Clarion
Zimbelstern Toe Stud
Couplers:
8' Great to Pedal
8' Swell to Pedal
4' Swell to Pedal
8' Positive to Pedal
8' Solo to Pedal
4' Solo to Pedal
8' Bombarde to Pedal
16' Swell to Great
8' Swell to Great
4' Swell to Great
16' Positive to Great
8' Positive to Great
16' Solo to Great
8' Solo to Great
4' Solo to Great
8' Bombarde to Great
8' Great to Positive
16' Swell to Positive
8' Swell to Positive
4' Swell to Positive
16' Solo to Positive
8' Solo to Positive
4' Solo to Positive
8' Bombarde to Positive
8' Bombarde to Solo

Relevant Links:

Casavant Brothers in Saint-Hyacinthe, Quebec, Canada

Updated as of Monday, February 15, 2010